Alex Kanevsky, Anunciation, 2007
This guy came up via a great little art book called Alla Prima. It's a new American title from Watson Guptill that details the finer points of painting wet-on-wet, but also delves into the history of the medium, tracing its usage from El Greco and Velazquez, via Edward Hopper and right up to contemporary talents like Alex Kanevsky.
The finish of this painting reminds me of Adrian Ghenie's earlier work, thanks to those vast fields of colour and the glitchy vertical splashes, but much of Kanevsky's other work tackles distorted nudes in a similarly inventive way. He uses plenty of clinical, bleached-out passages of bluish whites, yet the contrast with the darker foreground here really draws your eye back in - it's those contrasts again, like modern film noir shadows. Check out his full portfolio here.
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